Bill Hickok Poker Hand
- Wild Bill Hickok Death Poker Hand
- Wild Bill Hickok Poker Hand
- Wild Bill Hickok Poker Hand
- Wild Bill Hickok Last Poker Hand
- Bill Hickok Poker Hand
It was, however, not a reference to Wild Bill Hickok's hand. Although the evidence is lacking, it is generally 'accepted' that Hickok's hand was A ♠, A ♣, 8 ♠ and 8 ♣. Hand in poker game which came out to be from an old west folk hero lawman and gunfighter Wild Bill Hickok who was murdered. In today’s poker world the dead man’s hand is a nickname for a particular poker hand, popularly a two-pair of black aces and black eights, although definitions of the hand have varied through the years.
The makeup of poker's dead man's hand has varied through the years. Currently, it is described as a two-pairpoker hand consisting of the black aces and black eights. The pair of aces and eights, along with an unknown hole card, were reportedly held by Old Westfolk hero, lawman, and gunfighterWild Bill Hickok when he was murdered while playing a game. No contemporaneous source, however, records the exact cards he held when killed. Author Frank Wilstach's 1926 book, Wild Bill Hickok: The Prince of Pistoleers, led to the popular modern held conception of the poker hand's contents.
Use of the phrase[edit]
The expression 'dead man's hand' appears to have had some currency in the late 19th and early 20th centuries, although no one connected it to Hickok until the 1920s.[1][2] The earliest detailed reference to it was 1886, where it was described as a 'full house consisting of three jacks and a pair of tens.'[3] Jacks and sevens are called the dead man's hand in the 1903 Encyclopaedia of Superstitions, Folklore, and the Occult Sciences.[4] The 1907 edition of Hoyle's Games refers to the hand as Jacks and eights. [5]
Hickok's hand[edit]
What is currently considered the dead man's hand card combination received its notoriety from a legend that it was the five-card stud or five-card draw hand, held by James Butler Hickok (better known as 'Wild Bill' Hickok) when he was shot in the back of the head by Jack McCall on August 2, 1876, in Nuttal & Mann's Saloon at Deadwood, Dakota Territory. Hickok's final hand purportedly included the aces and eights of both black suits.[6]
According to a book by Western historian Carl W. Breihan, the cards were retrieved from the floor by a man named Neil Christy, who then passed them on to his son. The son, in turn, told Mr. Breihan of the composition of the hand. 'Here is an exact identity of these cards as told to me by Christy's son: the ace of diamonds with a heel mark on it; the ace of clubs; the two black eights, clubs and spades, and the queen of hearts with a small drop of Hickok's blood on it,'[7] though nothing of the sort was reported at the time immediately following the shooting.
Hickok biographer Joseph Rosa wrote about the make-up of the hand: 'The accepted version is that the cards were the ace of spades, the ace of clubs, two black eights, and the queen of clubs as the 'kicker'.'[8] Rosa, however, said that no contemporaneous source can be found for this exact hand.[9] The solidification in gamers' parlance of the dead man's hand as two pairs, black aces and eights, did not come about until after the 1926 publication of Wilstach's book 50 years after Hickok's death.[1]
Legacy[edit]
The Las Vegas Metropolitan Police Department Homicide Division, the Los Angeles Police Department CRASH squad, and the Armed Forces Medical Examiner System all use some variation of the aces and eights dead man's hand in their insignia.[10][11]
See also[edit]
References[edit]
- ^ ab'Was Wild Bill Hickok Holding the Dead Mans Hand When He Was Slain; The Straight Dope article; retrieved March 2013.
- ^'The Dead Man's Hand Explained – What is the Dead Man's Hand in Poker?'. Casino Wizard.
- ^DiscussionArchived 2007-10-20 at the Wayback Machine; July 3, 1886, article in the Grand Forks Daily Herald; at Linguist List online; retrieved February 2013.
- ^Cora Linn Morrison Daniels, et al; editor; Volume 2.
- ^Edmond Hoyle and editors; Hoyle's Games; 1907; p. 405
- ^Wild Bill Hickok: The Prince of Pistoleers; Frank J. Wilstach; 1926.
- ^Wild Women of the West; Signet; 1982; p. 77.
- ^Wild Bill Hickok: Gunfighter; Joseph G. Rosa; p. 163.
- ^Wild Bill Hickok: The Man and his Myth; Joseph Rosa; 1996.
- ^'Las Vegas Metropolitan Police Department'. Archived from the original on 16 March 2015. Retrieved 20 March 2015.
- ^'Office of the Armed Forces Medical Examiner'. Archived from the original on 15 May 2012. Retrieved 20 March 2015.
External links[edit]
The people on the platform recognized Wild Bill Hickok only by his long mustache, the collar of his long coat pulled up to his cheeks against the sharp wind blowing in over the falls. They didn’t dare approach. He looked angry. The train was late and his satchel kept blowing over. He wanted out of Niagara Falls as quick as possible. Acting was for fools, he thought.
He felt through his leather jacket and fingered the heavy piece of metal strapped to his side. The other actors made him take the bullets out of his pistol before he walked out in front of the audience. The costumes weren’t even right. The guy playing the Indian was a gypsy.
The Colt didn’t feel right without the bullets, but he did it and they paid him. He took the gun out in the daylight, snapped open the barrel and spun the chamber. He felt like squeezing the trigger a few times just to make some noise.
He couldn’t get any of the lines right. He could hear people snickering in the dark when he tried to say them. It was worse than facing a man holding a gun. That was easy. You just got to be faster and better-eyed. Talking, explaining, pretending; he didn’t even know why he agreed to do it, but never again.
He took a deck of cards out of his pocket and cut it with one hand, quickly, three times. He hoped he could encourage a few gentlemen to play stud on the train, all the way to Kansas. He hoped no one recognized him as the famous card playing lawman, but his picture was in every newspaper from here to New York City. He felt like fleecing someone.
His blonde-red mustache hung down to his chin like a Chinese laundryman and moved when he walked. For 39 men, this solemn face was the last they seen while breathing on this terrestrial planet. It only cost the passengers of the a few gold coins to sit with this folk hero, even if nobody knew it yet.
Hall of Fame
James Butler Hickok. Lawless lawman and card player. Killer of men. A sharpshooter who could pick a flea off the back of a buffalo from 500 yards away on a moving train. Reptilian cool, strong as an ox. Injun hater and Union spy.
And Poker Hall of Famer.
Hickok was inducted into the Poker Hall of Fame as part of the first class in 1979. That class, selected by Benny Binion, also contained Johnny Moss, Nick “the Greek” Dandolos, Red Winn, Felton McCorqudale, Syd Wyman, and Edmund “according to” Hoyle.
Before the poker explosion, the Poker Hall of Fame was simply a wall a pictures near the poker room at Binion’s Horseshoe. It was another way to get people in. Benny Binion knew Hickok as a card-playing folk hero who met his maker when a man shot him in the back of the head while playing poker. Hickok was wild west, and that fit nicely with the theme.
His last hand, aces and eights, is The Dead Man’s Hand. Somehow, it’s still spooky to play it.
Hickok became famous long before his death in Deadwood in 1876. He was only 39 when he died, but Hickok had packed the lifetimes of a dozen men in those years as a lawman, civil war scout and spy, and card player.
Poker made Hickok famous because it was during an ongoing poker game in Springfield, Missouri, in 1865. It was at a poker game when Hickok got into an argument with David Tutt, a man who hated Hickok because he thought he killed his brother during the Civil War. He also lost to Hickok the night before.
Tutt accused Hickok of owing him money. Hickok agreed he did, but said the amount was $25, not $35 as Tutt said. Hickok paid him $25, but Tutt grabbed his watch and left the hotel. The next day, Tutt wore Hickok’s pocket watch, flaunting it in front of what seemed to be the whole town of Springfield.
As Hickok put it later: “I won’t fight now unless I’m put upon.”
That is from a lengthy feature article printed in Harper’s New Monthly Magazine, Feb, 1867. It continues with a quote from a guy named Captain Honesty. The dialect is maintained.
Wild Bill Hickok Death Poker Hand
“They say Bill’s wild. Now he isn’t any sich thing. I’ve know him goin on ter ten year, and he’s as civil a disposed person as you’ll find he-e-arabouts. But he won’t be put upon.”
The article was an immense profile called Wild Bill, complete with gorgeous illustrations of the wild man with the long mustache. Written by George Nichols, it instantly made Hickok one of the main faces of the wild and raw West, an image of a man people living in the east would conjure when thinking about the wild frontier.
According to Nichols, here was a man who killed at least 100 men, who escaped a barrage of bullets and swam across a river after his real identity was revealed to a Confederate Sargent, who knew the trails of the southwest better than any bone-wearing Indian, who was strong and hansom and never thought twice about the men he killed.
And he killed Tutt by standing directly in front of him during a dramatic duel that took place in Springfield’s town square. The two squared off and slowly leveled their pistols at one another. Tutt fired first and missed. Hickok fired and immediately turned toward the crowd.
Again, Captain Honesty tells Nichols what happened:
Wild Bill Hickok Poker Hand
“Both Bill and Tutt fired, but one discharged followed the other so quick that it’s hard to say which went off first. Tutt was a famous shot, but he missed this time; the ball from the pistol went over Bill’s head. The instant Bill fired, without waitin ter see ef he had Tutt, he wheeled on his heels and pointed his pistol at Tutt’s friend, who had already drawn their weapons.
Aren’t yer satisfied, gentlemen? cried Bill, as cool as an alligator. ‘Put up yer shootin-irons or they’ll be more dead men here. And they put ‘em up, and said it war a far fight.”
This is seriously dramatic stuff even now and to the people living in the east, he was an American either never seen before or long forgotten about. It didn’t matter that several serious newspapers across the plains debunked many of the tales spun by Hickok in the Harper’s article, particularly the number of men Hickok killed, and his exploits during the Civil War.
Nonetheless, he was now famous and tried to capitalize on the Harper’s portrait to become an actor, like his old friend, Bill Cody, who was much better at showman ship than Hickok.
His first play was The Daring Buffalo Chasers of the Plains. He didn’t last long.
He hated it, moved to Kansas, and after losing an election for sheriff, he worked as a U.S. Marshal. By 1868, he became city marshal of Hays, Kansas, and sheriff of Ellis County, in part because no one else wanted the job.
Poker Sheriff
Wild Bill Hickok Poker Hand
A hardcore card player, Hickok kept his office hours at local saloons and hotel rooms, where other games like liar’s dice were also played. This didn’t quite endear himself to the citizenry. A good poker session netted around $200 at the time and by all accounts, Hickok was a one of the best players around.
Hickok was most definitely a shoot-first-ask-questions-later kind of hothead. He shot and killed two men during his first two months on the job. He was part of multiple shoot-outs. He killed another man in 1870, and apparently that was enough for the city’s voters, who voted him out.
He became sheriff of Abilene, Kansas, where he immediately shot and killed two more men. One was a saloon owner, who painted a bull with an erection on the side of his Bull’s Head Tavern. Residents complained. During that gunfight, Hickok accidentally killed one of his deputies in panic.
He actually returned to the stage in 1873 with Bill Cody in a play called Scouts of the Plains, but he was making enough money as a card player while touring. He left the production sometime in 1876. He traveled around the west, occasionally speaking in theaters, but mostly playing cards.
Dead Man’s Hand
Every summer evening in Deadwood, South Dakota, (except Sundays), Jack McCall walks up to Wild Bill Hickok and shoots him in the back of the head. Then there’s a chase and a gunfight, McCall’s arrest, trial and hanging.
The chair Wild Bill died in is behind glass at the Town Hall.
Legalized gambling came to Deadwood in 1989. It was one of the first gambling markets to open outside of Nevada or New Jersey. Wild Bill Hickok, dead for 113 years, had a lot to do with it legalization.
Wild Bill Hickok Last Poker Hand
The day Hickok died, he was playing five-card stud at the Nuttal and Mann’s Saloon. Legend has it that he preferred to always sit with his back against the wall, but no seats were available. He asked another player twice to change seats, but they refused.
McCall walked up behind Hickok and shouted “Damn you, take that,” splattering Wild Bill’s brains over the table and players. McCall’s motivation has been speculated as a gambling debt, a brother’s revenge, or as simple as an insult, but it’s lost to time.
The miners of Deadwood didn’t convict McCall, but he would be retried later in a U.S. court and was convicted of the murder of Wild Bill Hickok and sentenced to death by hanging.
In 1879, three years after he died, Hickok’s body was moved to another cemetery. According to the book They Called Him Wild Bill by Joseph Rosa, the body wasn’t embalmed properly and calcium carbonate leeched from the ground into Wild Bill’s body. It weighed more than 400 pounds.
He had turned to stone.